A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 55
Pagina 98
... intellectual treatises . The difference between a scientific work and a work of art , that is , between an intellectual fact and an intuitive fact , lies in the difference of the total effect aimed at by their respective authors . This ...
... intellectual treatises . The difference between a scientific work and a work of art , that is , between an intellectual fact and an intuitive fact , lies in the difference of the total effect aimed at by their respective authors . This ...
Pagina 174
... intellectual conclusion are signs or symbols having no intrinsic quality of their own , but standing for things that may in another experience be qualitatively experienced . The difference is enormous . It is one reason why the strictly ...
... intellectual conclusion are signs or symbols having no intrinsic quality of their own , but standing for things that may in another experience be qualitatively experienced . The difference is enormous . It is one reason why the strictly ...
Pagina 283
... intellectual belief be it understood . The whole use of intellectual belief is to bring all our ideas into as perfect an ordered system as possible . We disbelieve only because we believe something else that is incompatible , as Spinoza ...
... intellectual belief be it understood . The whole use of intellectual belief is to bring all our ideas into as perfect an ordered system as possible . We disbelieve only because we believe something else that is incompatible , as Spinoza ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York