A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 98
... intellectual treatises . The difference between a scientific work and a work of art , that is , between an intellectual fact and an intuitive fact , lies in the difference of the total effect aimed at by their respective authors . This ...
... intellectual treatises . The difference between a scientific work and a work of art , that is , between an intellectual fact and an intuitive fact , lies in the difference of the total effect aimed at by their respective authors . This ...
Pagina 174
... intellectual conclusion are signs or symbols having no intrinsic quality of their own , but standing for things that may in another experience be quali- tatively experienced . The difference is enormous . It is one reason why the ...
... intellectual conclusion are signs or symbols having no intrinsic quality of their own , but standing for things that may in another experience be quali- tatively experienced . The difference is enormous . It is one reason why the ...
Pagina 283
... intellectual belief be it understood . The whole use of intellectual belief is to bring all our ideas into as perfect an ordered system as possible . We disbelieve only because we believe something else that is incompatible , as Spinoza ...
... intellectual belief be it understood . The whole use of intellectual belief is to bring all our ideas into as perfect an ordered system as possible . We disbelieve only because we believe something else that is incompatible , as Spinoza ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York