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Pagina 96
... the unity of " action " when they have been obtained from an extrinsic determination of time and place , and this finally applied to the unity of " interest , " and the interest would have to be in its turn dissolved in the interest ...
... the unity of " action " when they have been obtained from an extrinsic determination of time and place , and this finally applied to the unity of " interest , " and the interest would have to be in its turn dissolved in the interest ...
Pagina 167
These affective colors are not “ pretty - pretty , " for it is still the real world of necessity , and great poetry will not disguise the nakedness of outer necessity , only cause it to shine with the glow of interest .
These affective colors are not “ pretty - pretty , " for it is still the real world of necessity , and great poetry will not disguise the nakedness of outer necessity , only cause it to shine with the glow of interest .
Pagina 463
This predominant critical aptitude and interest , in turn , tends to identify them more or less closely with one or other of the great critical movements of a given culture . These movements , distinguished from one another by a major ...
This predominant critical aptitude and interest , in turn , tends to identify them more or less closely with one or other of the great critical movements of a given culture . These movements , distinguished from one another by a major ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |