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Pagina 96
... the unity of " action " when they have been obtained from an extrinsic determination of time and place , and this finally applied to the unity of " interest , " and the interest would have to be in its turn dissolved in the interest ...
... the unity of " action " when they have been obtained from an extrinsic determination of time and place , and this finally applied to the unity of " interest , " and the interest would have to be in its turn dissolved in the interest ...
Pagina 167
These affective colors are not “ pretty - pretty , " for it is still the real world of necessity , and great poetry will not disguise the nakedness of outer necessity , only cause it to shine with the glow of interest .
These affective colors are not “ pretty - pretty , " for it is still the real world of necessity , and great poetry will not disguise the nakedness of outer necessity , only cause it to shine with the glow of interest .
Pagina 463
This predominant critical aptitude and interest , in turn , tends to identify them more or less closely with one or other of the great critical movements of a given culture . These movements , distinguished from one another by a major ...
This predominant critical aptitude and interest , in turn , tends to identify them more or less closely with one or other of the great critical movements of a given culture . These movements , distinguished from one another by a major ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York