A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 96
... interest , " and the interest would have to be in its turn dissolved in the interest of the spirit of the poet - that is , in his intimate aspiration , in his feeling . The negative issue of the great dispute between classicists and ...
... interest , " and the interest would have to be in its turn dissolved in the interest of the spirit of the poet - that is , in his intimate aspiration , in his feeling . The negative issue of the great dispute between classicists and ...
Pagina 167
... interest . Poetry soaks external reality - nature and society - with emo- tional significance . This significance , because it gives the organism an appetitive interest in external reality , enables the organism to deal with it more ...
... interest . Poetry soaks external reality - nature and society - with emo- tional significance . This significance , because it gives the organism an appetitive interest in external reality , enables the organism to deal with it more ...
Pagina 463
... interest , in turn , tends to identify them more or less closely with one or other of the great critical move- ments of a given culture . These movements , distinguished from one another by a major emphasis upon some aspect of the ...
... interest , in turn , tends to identify them more or less closely with one or other of the great critical move- ments of a given culture . These movements , distinguished from one another by a major emphasis upon some aspect of the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York