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Pagina 97
Intuition and Expression Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge obtained ... of certain truths ; that they are not demonstrable by syllogisms ; that they must be learnt intuitively .
Intuition and Expression Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge obtained ... of certain truths ; that they are not demonstrable by syllogisms ; that they must be learnt intuitively .
Pagina 98
Those concepts which are found mingled and fused with the intuitions are no longer concepts , in so far as they are really mingled and fused , for they ... They have been concepts , but have now become simple elements of intuition .
Those concepts which are found mingled and fused with the intuitions are no longer concepts , in so far as they are really mingled and fused , for they ... They have been concepts , but have now become simple elements of intuition .
Pagina 99
intuition . If we imagine a human mind having intuitions for the first time , it would seem that it could have intuitions of actual reality only , that is to say , that it could have perceptions of nothing but the real .
intuition . If we imagine a human mind having intuitions for the first time , it would seem that it could have intuitions of actual reality only , that is to say , that it could have perceptions of nothing but the real .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |