A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 27
... intuitive knowledge , and a joy . The beauti- ful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object ...
... intuitive knowledge , and a joy . The beauti- ful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object ...
Pagina 97
... knowledge , admitted by all without discussion , namely , Logic ; but a science of intuitive knowledge is timidly and with difficulty asserted by but a few . Logical knowledge has appropriated the lion's share ; and if she does not slay ...
... knowledge , admitted by all without discussion , namely , Logic ; but a science of intuitive knowledge is timidly and with difficulty asserted by but a few . Logical knowledge has appropriated the lion's share ; and if she does not slay ...
Pagina 104
... intuition , noted at the beginning : intuitive knowledge is expressive knowledge . Independent and autonomous in respect to intellectual function ; indifferent to later empirical discriminations , to reality and to unreality , to ...
... intuition , noted at the beginning : intuitive knowledge is expressive knowledge . Independent and autonomous in respect to intellectual function ; indifferent to later empirical discriminations , to reality and to unreality , to ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York