A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 27
... intuitive knowledge , and a joy . The beauti- ful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object ...
... intuitive knowledge , and a joy . The beauti- ful is what gives joy , not all joy , but joy in knowledge ; not the joy peculiar to the act of knowing , but a joy superabounding and overflowing from such an act because of the object ...
Pagina 97
... Intuition and Expression Knowledge has two forms : it is either intuitive knowledge or logical knowl- edge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge ...
... Intuition and Expression Knowledge has two forms : it is either intuitive knowledge or logical knowl- edge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge ...
Pagina 104
... intuition , noted at the beginning : intuitive knowledge is expressive knowledge . Independent and autonomous in respect to intellectual function ; indifferent to later empirical discriminations , to reality and to unreality , to ...
... intuition , noted at the beginning : intuitive knowledge is expressive knowledge . Independent and autonomous in respect to intellectual function ; indifferent to later empirical discriminations , to reality and to unreality , to ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York