A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 294
... isolation theory will , for example , describe one composition as more " profound " than another , will describe one melody as " noble " and another as " sentimental . " Such judg- ments are incompatible with the isolation theory , for ...
... isolation theory will , for example , describe one composition as more " profound " than another , will describe one melody as " noble " and another as " sentimental . " Such judg- ments are incompatible with the isolation theory , for ...
Pagina 439
... isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but ... isolation of things . If we give our whole mind to an object which we isolate with the understanding that we do not ...
... isolation is art . In fancy , or in superstition , we might mentally connect any objects whatever in the world , but ... isolation of things . If we give our whole mind to an object which we isolate with the understanding that we do not ...
Pagina 441
... isolation of the special thing . Whether the one truth is more valuable than the other depends upon our purpose . The purpose for which we looked out in scientific knowledge was practical mastery of the world for the outer achievements ...
... isolation of the special thing . Whether the one truth is more valuable than the other depends upon our purpose . The purpose for which we looked out in scientific knowledge was practical mastery of the world for the outer achievements ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York