A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 37
... judgment . It is all a question of propriety of speech , and of the empty titles of things . The verbal and mechanical proposition , that passes for judgment of worth , is the great cloak of ineptitude in these matters . Insensibility ...
... judgment . It is all a question of propriety of speech , and of the empty titles of things . The verbal and mechanical proposition , that passes for judgment of worth , is the great cloak of ineptitude in these matters . Insensibility ...
Pagina 39
... judgments are accordingly to be classed together in con- trast to judgments intellectual ; they are both ... judgment is necessarily intrinsic and based on the character of the immediate experience , and never consciously on ...
... judgments are accordingly to be classed together in con- trast to judgments intellectual ; they are both ... judgment is necessarily intrinsic and based on the character of the immediate experience , and never consciously on ...
Pagina 471
... judgment can only arise in the apprehension of a high degree of organicity of fact . The organistic critic is , therefore , very secure in his positive judgments of the beauty of a highly organized work of art , but his negative judgments ...
... judgment can only arise in the apprehension of a high degree of organicity of fact . The organistic critic is , therefore , very secure in his positive judgments of the beauty of a highly organized work of art , but his negative judgments ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York