Dall'interno del libro
Risultati 1-3 di 87
Pagina 29
The perception of the beautiful is related to knowledge , but by way of addition , “
as its bloom is an addition to youth ” ; it is not so much a kind of knowledge as a
kind of delight . The beautiful is essentially delightful . Therefore by its very nature
...
The perception of the beautiful is related to knowledge , but by way of addition , “
as its bloom is an addition to youth ” ; it is not so much a kind of knowledge as a
kind of delight . The beautiful is essentially delightful . Therefore by its very nature
...
Pagina 249
At present , however , we are dealing with principles that have proven to be the
same in all the arts , when each kind of art - plastic , musical , balletic , poetic ,
and each major mode , such as literary and dramatic writing , or painting ...
At present , however , we are dealing with principles that have proven to be the
same in all the arts , when each kind of art - plastic , musical , balletic , poetic ,
and each major mode , such as literary and dramatic writing , or painting ...
Pagina 266
Further , our kind of scientific and economic thinking makes us define things by
measurements rather than by the dynamics of their appearance . Our criteria for
what is useful or useless , friendly or hostile , have tended to sever the
connections ...
Further , our kind of scientific and economic thinking makes us define things by
measurements rather than by the dynamics of their appearance . Our criteria for
what is useful or useless , friendly or hostile , have tended to sever the
connections ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |