A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 29
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , “ as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
... kind of truth , but a kind of good . The perception of the beautiful is related to knowledge , but by way of addition , “ as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The ...
Pagina 249
... kind of art are few , but decisive ; they determine what is art , and what is not . Expressiveness , in one definite and appropriate sense , is the same in all art works of any kind . What is created is not the same in any two distinct ...
... kind of art are few , but decisive ; they determine what is art , and what is not . Expressiveness , in one definite and appropriate sense , is the same in all art works of any kind . What is created is not the same in any two distinct ...
Pagina 266
... kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of categories . Particularly in our modern Western civilization we are accustomed to distinguishing ...
... kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of categories . Particularly in our modern Western civilization we are accustomed to distinguishing ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York