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Pagina 29
The perception of the beautiful is related to knowledge , but by way of addition , “ as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The beautiful is essentially delightful .
The perception of the beautiful is related to knowledge , but by way of addition , “ as its bloom is an addition to youth " ; it is not so much a kind of knowledge as a kind of delight . The beautiful is essentially delightful .
Pagina 266
Therefore , on the basis of their expressive appearance , our eye spontaneously creates a kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of ...
Therefore , on the basis of their expressive appearance , our eye spontaneously creates a kind of Linnean classification of all things existing . This perceptual classification cuts across the order suggested by other kinds of ...
Pagina 277
of believing are changed irrecoverably ; and the knowledge which has displaced them is not of a kind upon which an equally fine organization of the mind can be based . This is the contemporary situation . The remedy , since there is no ...
of believing are changed irrecoverably ; and the knowledge which has displaced them is not of a kind upon which an equally fine organization of the mind can be based . This is the contemporary situation . The remedy , since there is no ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York