A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 97
... Knowledge has two forms : it is either intuitive knowledge or logical knowl- edge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge of the universal ; of ...
... Knowledge has two forms : it is either intuitive knowledge or logical knowl- edge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge of the universal ; of ...
Pagina 274
... knowledge , the indifferent and emotionally neutral knowledge which is yielded by science , but for assurance , 5 a point which appears clearly when we look into the " How " of questions and requests , of knowledge and desire . Science ...
... knowledge , the indifferent and emotionally neutral knowledge which is yielded by science , but for assurance , 5 a point which appears clearly when we look into the " How " of questions and requests , of knowledge and desire . Science ...
Pagina 279
... knowledge of it incapable of spurring on our emotional responses , and further , the nature of knowledge itself makes it inadequate . The contact with things which we therein establish is too sketchy and indirect to help us . We are ...
... knowledge of it incapable of spurring on our emotional responses , and further , the nature of knowledge itself makes it inadequate . The contact with things which we therein establish is too sketchy and indirect to help us . We are ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York