A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 97
... Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge of the universal ; of ...
... Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge of the universal ; of ...
Pagina 274
... knowledge , the indifferent and emotionally neutral knowledge which is yielded by science , but for assurance , 5 a point which appears clearly when we look into the " How " of questions and requests , of knowledge and desire . Science ...
... knowledge , the indifferent and emotionally neutral knowledge which is yielded by science , but for assurance , 5 a point which appears clearly when we look into the " How " of questions and requests , of knowledge and desire . Science ...
Pagina 279
... knowledge of it incapable of spurring on our emotional responses , and further , the nature of knowledge itself makes it inadequate . The contact with things which we therein establish is too sketchy and indirect to help us . We are ...
... knowledge of it incapable of spurring on our emotional responses , and further , the nature of knowledge itself makes it inadequate . The contact with things which we therein establish is too sketchy and indirect to help us . We are ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York