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Pagina 97
Intuition and Expression Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge ...
Intuition and Expression Knowledge has two forms : it is either intuitive knowledge or logical knowledge ; knowledge obtained through the imagination or knowledge obtained through the intellect ; knowledge of the individual or knowledge ...
Pagina 274
--knowledge , that is to say , purified from the influences of his wishes or his fears . The process went faster and faster ; it snowballed . Now he has to face the fact that the edifices of supposed knowledge , with which he so long ...
--knowledge , that is to say , purified from the influences of his wishes or his fears . The process went faster and faster ; it snowballed . Now he has to face the fact that the edifices of supposed knowledge , with which he so long ...
Pagina 279
It is not what the universe is made of but how it works , the law it follows , which makes verifiable knowledge of it incapable of spurring on our emotional responses , and further , the nature of knowledge itself makes it inadequate .
It is not what the universe is made of but how it works , the law it follows , which makes verifiable knowledge of it incapable of spurring on our emotional responses , and further , the nature of knowledge itself makes it inadequate .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York