A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 195
... language - games , but have nowhere said what the essence of a language - game , and hence of language , is : what is common to all these activities , and what makes them into language or parts of language . So you let yourself off the ...
... language - games , but have nowhere said what the essence of a language - game , and hence of language , is : what is common to all these activities , and what makes them into language or parts of language . So you let yourself off the ...
Pagina 220
... language . The material with which the literary artist creates is certainly not crude physical sound , comparable to stone , marble or paint , but neither is it private fancies or images . What an English writer uses is the English language ...
... language . The material with which the literary artist creates is certainly not crude physical sound , comparable to stone , marble or paint , but neither is it private fancies or images . What an English writer uses is the English language ...
Pagina 254
... language , it is an idea ex- pressed by language , an idea that in its turn functions as a symbol to express something . It is not discursive ) and therefore does not really make a statement of the idea it conveys ; but it formulates a ...
... language , it is an idea ex- pressed by language , an idea that in its turn functions as a symbol to express something . It is not discursive ) and therefore does not really make a statement of the idea it conveys ; but it formulates a ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York