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Pagina 195
You talk about all sorts of language - games , but have nowhere said what the essence of a language - game , and hence of language , is : what is common to all these activities , and what makes them into language or parts of language .
You talk about all sorts of language - games , but have nowhere said what the essence of a language - game , and hence of language , is : what is common to all these activities , and what makes them into language or parts of language .
Pagina 220
But the sounds in literature are not mere physical noises but words of a particular language . The material with which the literary artist creates is certainly not crude physical sound , comparable to stone , marble or paint ...
But the sounds in literature are not mere physical noises but words of a particular language . The material with which the literary artist creates is certainly not crude physical sound , comparable to stone , marble or paint ...
Pagina 254
A metaphor is not language , it is an idea ex- pressed by language , an idea that in its turn functions as a symbol to express something . It is not discursive ) and therefore does not really make a statement of the idea it conveys ...
A metaphor is not language , it is an idea ex- pressed by language , an idea that in its turn functions as a symbol to express something . It is not discursive ) and therefore does not really make a statement of the idea it conveys ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York