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Pagina 55
Poet , musician , sculptor and architect , all pay more or less strict obedience to the same law . To it , point all those rules of artistic composition which pedantic academicism has subtly multiplied until they contradict each other .
Poet , musician , sculptor and architect , all pay more or less strict obedience to the same law . To it , point all those rules of artistic composition which pedantic academicism has subtly multiplied until they contradict each other .
Pagina 69
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what was mistaken and unnecessary , so the evolution of feeling proceeds by means of art— feelings less kind and less necessary ...
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what was mistaken and unnecessary , so the evolution of feeling proceeds by means of art— feelings less kind and less necessary ...
Pagina 457
prejudice is destructive of sound judgment , and perverts all operations of the intellectual faculties : It is no less contrary to good taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to ...
prejudice is destructive of sound judgment , and perverts all operations of the intellectual faculties : It is no less contrary to good taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York