A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 55
... less predeterminate impression , and of a more or less uncon- scious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of ...
... less predeterminate impression , and of a more or less uncon- scious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of ...
Pagina 69
... less it fulfils it the worse the art . The appraisement of feelings ( that is , the recognition of one or other set of feelings as more or less good , more or less necessary for the well - being of mankind ) is effected by the religious ...
... less it fulfils it the worse the art . The appraisement of feelings ( that is , the recognition of one or other set of feelings as more or less good , more or less necessary for the well - being of mankind ) is effected by the religious ...
Pagina 457
... less perfect , as it is more or less fitted to attain this end . The object of eloquence is to persuade , of history to instruct , of poetry to please , by means of the passions and the imagination . These ends we must carry constantly ...
... less perfect , as it is more or less fitted to attain this end . The object of eloquence is to persuade , of history to instruct , of poetry to please , by means of the passions and the imagination . These ends we must carry constantly ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York