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Pagina 55
However thorough a realist he may think himself , he does not leave himself to
chance . Now , choice of subject alone is enough to prove that , from the very
beginning , some preference has existed , the result of a more or less
predeterminate ...
However thorough a realist he may think himself , he does not leave himself to
chance . Now , choice of subject alone is enough to prove that , from the very
beginning , some preference has existed , the result of a more or less
predeterminate ...
Pagina 69
And as the evolution of knowledge proceeds by truer and more necessary
knowledge dislodging and replacing what was mistaken and unnecessary , so
the evolution of feeling proceeds by means of artfeelings less kind and less
necessary ...
And as the evolution of knowledge proceeds by truer and more necessary
knowledge dislodging and replacing what was mistaken and unnecessary , so
the evolution of feeling proceeds by means of artfeelings less kind and less
necessary ...
Pagina 457
prejudice is destructive of sound judgment , and perverts all operations of the
intellectual faculties : It is no less contrary to good taste ; nor has it less influence
to corrupt our sentiment of beauty . It belongs to good sense to check its influence
in ...
prejudice is destructive of sound judgment , and perverts all operations of the
intellectual faculties : It is no less contrary to good taste ; nor has it less influence
to corrupt our sentiment of beauty . It belongs to good sense to check its influence
in ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York