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Pagina 55
Poet , musician , sculptor and architect , all pay more or less strict obedience to the same law . To it , point all those rules of artistic composition which pedantic academicism has subtly multiplied until they contradict each other .
Poet , musician , sculptor and architect , all pay more or less strict obedience to the same law . To it , point all those rules of artistic composition which pedantic academicism has subtly multiplied until they contradict each other .
Pagina 69
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what was mistaken and unnecessary , so the evolution of feeling proceeds by means of artfeelings less kind and less necessary for ...
And as the evolution of knowledge proceeds by truer and more necessary knowledge dislodging and replacing what was mistaken and unnecessary , so the evolution of feeling proceeds by means of artfeelings less kind and less necessary for ...
Pagina 457
a prejudice is destructive of sound judgment , and perverts all operations of the intellectual faculties : It is no less contrary to good taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to ...
a prejudice is destructive of sound judgment , and perverts all operations of the intellectual faculties : It is no less contrary to good taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |