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Pagina 316
you do not , any more than you apprehend apart , when you see someone smile , those lines in the face which express a feeling , and the feeling that the lines express . Just as there the lines and their meaning are to you one thing ...
you do not , any more than you apprehend apart , when you see someone smile , those lines in the face which express a feeling , and the feeling that the lines express . Just as there the lines and their meaning are to you one thing ...
Pagina 325
eral ) pre - eminent shape , color , line , melodic pattern or meaning , in which is concentrated the characteristic value of the whole . It contains the work of art in little ; represents it ; provides the key to our appreciation and ...
eral ) pre - eminent shape , color , line , melodic pattern or meaning , in which is concentrated the characteristic value of the whole . It contains the work of art in little ; represents it ; provides the key to our appreciation and ...
Pagina 327
The crest may be an accent or the swing up of a line ; the trough may be one or more unaccented syllables , a pause , or the ... In the diaper pattern , for example , there is the recurrence of the rising and falling lines , and their ...
The crest may be an accent or the swing up of a line ; the trough may be one or more unaccented syllables , a pause , or the ... In the diaper pattern , for example , there is the recurrence of the rising and falling lines , and their ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York