A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 316
... lines express . Just as there the lines and their meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the ...
... lines express . Just as there the lines and their meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the ...
Pagina 325
... line , or volume , as the pointed arch of the Gothic , the round arch of the Roman , the ellipse of the baroque . In ... lines ( paral- lelism ) in painting and sculpture and architecture ; the refrain in poetry ; the re- appearance of ...
... line , or volume , as the pointed arch of the Gothic , the round arch of the Roman , the ellipse of the baroque . In ... lines ( paral- lelism ) in painting and sculpture and architecture ; the refrain in poetry ; the re- appearance of ...
Pagina 327
... line is high , and the upper part seems therefore to be relatively empty of masses ; for the distance values in the ... lines , and their opposition and balance , two by two . Or a colonnade , as you apprehend the columns in succession ...
... line is high , and the upper part seems therefore to be relatively empty of masses ; for the distance values in the ... lines , and their opposition and balance , two by two . Or a colonnade , as you apprehend the columns in succession ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York