A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 168
... look to us - brighter , full of affective color . Great music is how we should like our emotions to run on , full of strenuous purpose and deep aims . And because , for a moment , we saw how it might be , were given the remade object ...
... look to us - brighter , full of affective color . Great music is how we should like our emotions to run on , full of strenuous purpose and deep aims . And because , for a moment , we saw how it might be , were given the remade object ...
Pagina 195
... look and see whether there is anything common to all . - For if you look at them you will not see something that is common to all , but similarities , relationships , and a whole series of them at that . To repeat : don't think , but ...
... look and see whether there is anything common to all . - For if you look at them you will not see something that is common to all , but similarities , relationships , and a whole series of them at that . To repeat : don't think , but ...
Pagina 371
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that it rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
... look at the mountain , since we cannot look at the mountain , nor at a tree , a tower or anything of which we similarly say that it rises , without lifting our glance , raising our eye and probably raising our head and neck , all of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York