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Pagina 168
A great picture is how we should like the world to look to us - brighter , full of affective color . Great music is how we should like our emotions to run on , full of strenuous purpose and deep aims . And because , for a moment ...
A great picture is how we should like the world to look to us - brighter , full of affective color . Great music is how we should like our emotions to run on , full of strenuous purpose and deep aims . And because , for a moment ...
Pagina 195
-Don't say : " There must be something common , or they would not be called ' games ' " --but look and see whether there is anything common to all . - For if you look at them you will not see something that is common to all ...
-Don't say : " There must be something common , or they would not be called ' games ' " --but look and see whether there is anything common to all . - For if you look at them you will not see something that is common to all ...
Pagina 371
All we mean is that the mountain looks as if it were rising . ... Very well ; then , ( says the Reader ) we will avoid all figures of speech and say merely : when we look at the mountain we somehow or other think of the action of rising ...
All we mean is that the mountain looks as if it were rising . ... Very well ; then , ( says the Reader ) we will avoid all figures of speech and say merely : when we look at the mountain we somehow or other think of the action of rising ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York