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Pagina 348
Greenough breaks down any sharp distinction between the applied and the fine
arts , and insists that a machine should be a thing of beauty . “ If we compare the
form of a newly invented machine with the perfected type of the same instrument
...
Greenough breaks down any sharp distinction between the applied and the fine
arts , and insists that a machine should be a thing of beauty . “ If we compare the
form of a newly invented machine with the perfected type of the same instrument
...
Pagina 355
The machine has not destroyed that promise . On the contrary , through the more
con- , scious cultivation of the machine arts and through greater selectivity in their
use , one sees the pledge of its wider fulfillment throughout civilization .
The machine has not destroyed that promise . On the contrary , through the more
con- , scious cultivation of the machine arts and through greater selectivity in their
use , one sees the pledge of its wider fulfillment throughout civilization .
Pagina 361
The key to this fresh appreciation of the machine as a source of new esthetic
forms has come through a formulation of its chief esthetic principle : the principle
of economy . This principle is of course not unknown in other phases of art : but
the ...
The key to this fresh appreciation of the machine as a source of new esthetic
forms has come through a formulation of its chief esthetic principle : the principle
of economy . This principle is of course not unknown in other phases of art : but
the ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |