A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 359
... machine or of a product of the machine there is a point where one may leave off for parsimonious reasons without having reached esthetic perfection : at this point perhaps every mechanical factor is accounted for , and the sense of ...
... machine or of a product of the machine there is a point where one may leave off for parsimonious reasons without having reached esthetic perfection : at this point perhaps every mechanical factor is accounted for , and the sense of ...
Pagina 362
... machine devaluates age : for age is another token of rarity , and the machine , by placing its emphasis upon fitness and adaptation , prides itself on the brand - new rather than on the antique : instead of feeling comfortably authentic ...
... machine devaluates age : for age is another token of rarity , and the machine , by placing its emphasis upon fitness and adaptation , prides itself on the brand - new rather than on the antique : instead of feeling comfortably authentic ...
Pagina 363
... machine is a communist : hence the deep contradictions and con- flicts that have kept on developing in machine industry since the end of the eighteenth century . At every stage in technics , the work represents a collaboration of ...
... machine is a communist : hence the deep contradictions and con- flicts that have kept on developing in machine industry since the end of the eighteenth century . At every stage in technics , the work represents a collaboration of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York