A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 129
... material until it expresses the ideas of his phantasy faithfully ; and then he knows how to attach to this reflection of his phantasy - life so strong a stream of pleasure that , for a time at least , the repres- sions are outbalanced ...
... material until it expresses the ideas of his phantasy faithfully ; and then he knows how to attach to this reflection of his phantasy - life so strong a stream of pleasure that , for a time at least , the repres- sions are outbalanced ...
Pagina 144
... material for Rider Haggard in the fiction - cycle that turns upon She , and it does the same for Benoît , chiefly in L'Atlantide , for Kubin in Die Andere Seite , for Meyrink in Das Grüne Gesicht - a book whose importance we should not ...
... material for Rider Haggard in the fiction - cycle that turns upon She , and it does the same for Benoît , chiefly in L'Atlantide , for Kubin in Die Andere Seite , for Meyrink in Das Grüne Gesicht - a book whose importance we should not ...
Pagina 470
... material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface . Anything that begets a feeling connection is ...
... material taken up in it than the Eiffel Tower . Esthetic material is not just what the eye and ear respond to but also the images and meanings and emotions below the sensory surface . Anything that begets a feeling connection is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York