A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 129
Further, he possesses the mysterious ability to mold his particular material until it
expresses the ideas of his phantasy faithfully; and then he knows how to attach to
this reflection of his phantasy-life so strong a stream of pleasure that, for a time ...
Further, he possesses the mysterious ability to mold his particular material until it
expresses the ideas of his phantasy faithfully; and then he knows how to attach to
this reflection of his phantasy-life so strong a stream of pleasure that, for a time ...
Pagina 135
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production, but as a refashioning of ready-made
material. Here, too, the writer retains a certain amount of independence, which ...
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production, but as a refashioning of ready-made
material. Here, too, the writer retains a certain amount of independence, which ...
Pagina 144
In a more restricted and specific way, the primordial experience furnishes
material for Rider Haggard in the fiction-cycle that turns upon She, and it does the
same for Benoit, chiefly in L'Atlantide, for Kubin in Die Andere Seite, for Meyrink
in ...
In a more restricted and specific way, the primordial experience furnishes
material for Rider Haggard in the fiction-cycle that turns upon She, and it does the
same for Benoit, chiefly in L'Atlantide, for Kubin in Die Andere Seite, for Meyrink
in ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
15 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York