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Pagina 129
Further , he possesses the mysterious ability to mold his particular material until it
expresses the ideas of his phantasy faithfully ; and then he knows how to attach
to this reflection of his phantasy - life so strong a stream of pleasure that , for a ...
Further , he possesses the mysterious ability to mold his particular material until it
expresses the ideas of his phantasy faithfully ; and then he knows how to attach
to this reflection of his phantasy - life so strong a stream of pleasure that , for a ...
Pagina 135
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production , but as a refashioning of ready -
made material . Here , too , the writer retains a certain amount of independence ...
We will not neglect to refer also to that class of imaginative work which must be
recognized not as spontaneous production , but as a refashioning of ready -
made material . Here , too , the writer retains a certain amount of independence ...
Pagina 144
In a more restricted and specific way , the primordial experience furnishes
material for Rider Haggard in the fiction - cycle that turns upon She , and it does
the same for Benoît , chiefly in L ' Atlantide , for Kubin in Die Andere Seite , for
Meyrink ...
In a more restricted and specific way , the primordial experience furnishes
material for Rider Haggard in the fiction - cycle that turns upon She , and it does
the same for Benoît , chiefly in L ' Atlantide , for Kubin in Die Andere Seite , for
Meyrink ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |