A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 68
... matter . The absence of any one of these conditions excludes a work from the category of art and relegates it to that of art's counterfeits . If the work does not transmit the artist's peculiarity of feeling and is therefore not ...
... matter . The absence of any one of these conditions excludes a work from the category of art and relegates it to that of art's counterfeits . If the work does not transmit the artist's peculiarity of feeling and is therefore not ...
Pagina 100
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit . Matter , in its abstraction , is mechanism , passivity ; it is ...
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit . Matter , in its abstraction , is mechanism , passivity ; it is ...
Pagina 321
... matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant to say , why should he write the poem ? The poem would in fact already be ...
... matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant to say , why should he write the poem ? The poem would in fact already be ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
10 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York