A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 68
... matter . The absence of any one of these conditions excludes a work from the cate- gory of art and relegates it to that of art's counterfeits . If the work does not trans- mit the artist's peculiarity of feeling and is therefore not ...
... matter . The absence of any one of these conditions excludes a work from the cate- gory of art and relegates it to that of art's counterfeits . If the work does not trans- mit the artist's peculiarity of feeling and is therefore not ...
Pagina 100
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit . Matter , in its abstraction , is mechanism , passivity ; it is ...
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit . Matter , in its abstraction , is mechanism , passivity ; it is ...
Pagina 167
... matter vanishes in a logi- cal but empty wave - system . Poetry restores life and value to matter , and puts back the genotype into the world from which it was banished . . . . § 5 If we are asked the purpose of art , we can make an ...
... matter vanishes in a logi- cal but empty wave - system . Poetry restores life and value to matter , and puts back the genotype into the world from which it was banished . . . . § 5 If we are asked the purpose of art , we can make an ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York