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Pagina 68
The presence in various degrees of these three conditions : individuality , clearness , and sincerity , decides the merit of a work of art as art , apart from subject matter . All works of art take order of merit according to the degree ...
The presence in various degrees of these three conditions : individuality , clearness , and sincerity , decides the merit of a work of art as art , apart from subject matter . All works of art take order of merit according to the degree ...
Pagina 100
On the hither side of the lower limit is sensation , formless matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit .
On the hither side of the lower limit is sensation , formless matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit .
Pagina 321
Pure poetry is not the decoration of a preconceived and clearly defined matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant ...
Pure poetry is not the decoration of a preconceived and clearly defined matter : it springs from the creative impulse of a vague imaginative mass pressing for development and definition . If the poet already knew exactly what he meant ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |