A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 68
... matter . The absence of any one of these conditions excludes a work from the cate- gory of art and relegates it to that of art's counterfeits . If the work does not trans- mit the artist's peculiarity of feeling and is therefore not ...
... matter . The absence of any one of these conditions excludes a work from the cate- gory of art and relegates it to that of art's counterfeits . If the work does not trans- mit the artist's peculiarity of feeling and is therefore not ...
Pagina 100
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit . Matter , in its abstraction , is mechanism , passivity ; it is ...
... matter , which the spirit can never apprehend in itself as simple matter . This it can only possess with form and in form , but postulates the notion of it as a mere limit . Matter , in its abstraction , is mechanism , passivity ; it is ...
Pagina 281
... matter of no consequence whether we assent or dissent , the theory that these disputable statements , so constantly presented to us in poetry , are merely assumptions introduced for poetic purposes , seems an adequate explanation . And ...
... matter of no consequence whether we assent or dissent , the theory that these disputable statements , so constantly presented to us in poetry , are merely assumptions introduced for poetic purposes , seems an adequate explanation . And ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York