Dall'interno del libro
Risultati 1-3 di 83
Pagina 68
... and which also decide the quality of every work of art considered apart from its
subject matter . The absence of any one of these conditions excludes a work from
the category of art and relegates it to that of art ' s counterfeits . If the work does ...
... and which also decide the quality of every work of art considered apart from its
subject matter . The absence of any one of these conditions excludes a work from
the category of art and relegates it to that of art ' s counterfeits . If the work does ...
Pagina 100
On the hither side of the lower limit is sensation , formless matter , which the spirit
can never apprehend in itself as simple matter . This it can only possess with form
and in form , but postulates the notion of it as a mere limit . Matter , in its ...
On the hither side of the lower limit is sensation , formless matter , which the spirit
can never apprehend in itself as simple matter . This it can only possess with form
and in form , but postulates the notion of it as a mere limit . Matter , in its ...
Pagina 321
Pure poetry is not the decoration of a preconceived and clearly defined matter : it
springs from the creative impulse of a vague imaginative mass pressing for
development and definition . If the poet already knew exactly what he meant to
say ...
Pure poetry is not the decoration of a preconceived and clearly defined matter : it
springs from the creative impulse of a vague imaginative mass pressing for
development and definition . If the poet already knew exactly what he meant to
say ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |