A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 240
... Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between “ emotive " and " descriptive " meaning . The distinction is between meaning used to describe facts and meaning used to ...
... Meaning of Meaning , to explain these distinctions . Particularly important for esthetics is the difference between “ emotive " and " descriptive " meaning . The distinction is between meaning used to describe facts and meaning used to ...
Pagina 316
... meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the line , “ The sun is warm , the sky is clear , " 8 ...
... meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the line , “ The sun is warm , the sky is clear , " 8 ...
Pagina 320
... meaning , but in unity with them and so as expressive of the poetic meaning of the whole . It is always so in fine poetry . The value of versification , when it is indissolubly fused with meaning , can hardly be exaggerated . The gift ...
... meaning , but in unity with them and so as expressive of the poetic meaning of the whole . It is always so in fine poetry . The value of versification , when it is indissolubly fused with meaning , can hardly be exaggerated . The gift ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York