A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 316
... meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the line , “ The sun is warm , the sky is clear , " 8 ...
... meaning are to you one thing , not two , so in poetry the meaning and the sounds are one : there is , if I may put it so , a resonant meaning , or a meaning resonance . If you read the line , “ The sun is warm , the sky is clear , " 8 ...
Pagina 320
... meaning , but in unity with them and so as expressive of the poetic meaning of the whole . It is always so in fine poetry . The value of versification , when it is indis- solubly fused with meaning , can hardly be exaggerated . The gift ...
... meaning , but in unity with them and so as expressive of the poetic meaning of the whole . It is always so in fine poetry . The value of versification , when it is indis- solubly fused with meaning , can hardly be exaggerated . The gift ...
Pagina 522
... Meaning , " Southern Review , Vol . 4 ( 1939 ) , pp . 501-23 . Carver , G. A. , Aesthetics and the Prob- lem of Meaning , New Haven , 1952 . Cassirer , An Essay on Man , New Haven , 1944 , Ch . 9 . Language and Myth , New York , 1946 ...
... Meaning , " Southern Review , Vol . 4 ( 1939 ) , pp . 501-23 . Carver , G. A. , Aesthetics and the Prob- lem of Meaning , New Haven , 1952 . Cassirer , An Essay on Man , New Haven , 1944 , Ch . 9 . Language and Myth , New York , 1946 ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York