A Modern Book of Esthetics: An Anthology |
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Risultati 1-3 di 82
Pagina 240
Maintaining that words and other symbols have many meanings that should be
carefully distinguished, he and C. K. Ogden have discriminated sixteen principal
meanings of the word "meaning," and have taken a whole book, The Meaning of
...
Maintaining that words and other symbols have many meanings that should be
carefully distinguished, he and C. K. Ogden have discriminated sixteen principal
meanings of the word "meaning," and have taken a whole book, The Meaning of
...
Pagina 316
Just as there the lines and their meaning are to you one thing, not two, so in
poetry the meaning and the sounds are one: there is, if I may put it so, a resonant
meaning, or a meaning resonance. If you read the line, "The sun is warm, the sky
is ...
Just as there the lines and their meaning are to you one thing, not two, so in
poetry the meaning and the sounds are one: there is, if I may put it so, a resonant
meaning, or a meaning resonance. If you read the line, "The sun is warm, the sky
is ...
Pagina 522
Barfield, Owen, Poetic Diction: A Study in Meaning, London, 1928. Beardsley,
Monroe C, Aesthetics, New York, 1958, Chs. 3, 5-9. Boas, George, "The Problem
of Meaning in the Arts," University of California Publications in Philosophy, Vol.
Barfield, Owen, Poetic Diction: A Study in Meaning, London, 1928. Beardsley,
Monroe C, Aesthetics, New York, 1958, Chs. 3, 5-9. Boas, George, "The Problem
of Meaning in the Arts," University of California Publications in Philosophy, Vol.
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York