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Pagina 64
Viewing it in this way we cannot fail to observe that art is one of the means of
intercourse between man and man . Every work of art causes the receiver to
enter into a certain kind of relationship both with him who produced or is
producing the ...
Viewing it in this way we cannot fail to observe that art is one of the means of
intercourse between man and man . Every work of art causes the receiver to
enter into a certain kind of relationship both with him who produced or is
producing the ...
Pagina 197
But if the concept ' game ' is uncircumscribed like that , you don't really know what
you mean by a ' game . ' ” - When I give the description : “ The ground was quite
covered with plants ” -do you want to say I don't know what I am talking about ...
But if the concept ' game ' is uncircumscribed like that , you don't really know what
you mean by a ' game . ' ” - When I give the description : “ The ground was quite
covered with plants ” -do you want to say I don't know what I am talking about ...
Pagina 487
There is another art which imitates by means of language alone , and that either
in prose or verse - which verse , again , may either combine different meters or
consist of but one kind - but this has hitherto been without a name . For there is
no ...
There is another art which imitates by means of language alone , and that either
in prose or verse - which verse , again , may either combine different meters or
consist of but one kind - but this has hitherto been without a name . For there is
no ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |