A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 45
... ment of their judgments with our own ; and although we might acknowledge the fatuity of this demand in regard to natures very different from the human , we may be unreasonable enough to require that all races should admire the same ...
... ment of their judgments with our own ; and although we might acknowledge the fatuity of this demand in regard to natures very different from the human , we may be unreasonable enough to require that all races should admire the same ...
Pagina 353
... ment , arbitrary , capricious , setting at defiance all principle , meretricious dyes . and tints , catchpenny novelties of form , steam - woven fineries and plastic orna- ments , struck with the die or pressed into molds . In even an ...
... ment , arbitrary , capricious , setting at defiance all principle , meretricious dyes . and tints , catchpenny novelties of form , steam - woven fineries and plastic orna- ments , struck with the die or pressed into molds . In even an ...
Pagina 452
... ment , religion , and language , have not been able to obscure his glory . Authority or prejudice may give a temporary vogue to a bad poet or orator ; but his reputa- tion will never be durable or general . When his compositions are ...
... ment , religion , and language , have not been able to obscure his glory . Authority or prejudice may give a temporary vogue to a bad poet or orator ; but his reputa- tion will never be durable or general . When his compositions are ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York