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Pagina 372
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
But it is far more than the idea merely of that lifting or raising which we are doing at this particular present moment and in connection with this particular mountain . That present and particular raising and lifting is merely the ...
Pagina 378
I do not merely imagine things of this sort . Here again two possibilities present themselves . The imitation may be voluntary , that is , I , too , should like to have the feeling of freedom , assurance , and pride , which the other ...
I do not merely imagine things of this sort . Here again two possibilities present themselves . The imitation may be voluntary , that is , I , too , should like to have the feeling of freedom , assurance , and pride , which the other ...
Pagina 441
But is that really the only end in our existence ; is the world really for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our ...
But is that really the only end in our existence ; is the world really for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |