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Pagina 112
His blue period is the cliché of a student mind attempting originality merely by style and achieving therefore not only the false but the conventional . For nothing is more easy than the novel style invented only to be different .
His blue period is the cliché of a student mind attempting originality merely by style and achieving therefore not only the false but the conventional . For nothing is more easy than the novel style invented only to be different .
Pagina 290
We may admit the correctness of our direct perceptions that works of art are great and small , and not merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been ...
We may admit the correctness of our direct perceptions that works of art are great and small , and not merely perfect and imperfect . The feeling we indisputably have , from a great work of art , that a large area of experience has been ...
Pagina 441
But is that really the only end in our existence ; is the world really for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our ...
But is that really the only end in our existence ; is the world really for us merely a material to be used and never a material to be enjoyed ; is the object merely a cause to produce certain effects , never an end in itself ; can our ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |