Dall'interno del libro
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Pagina 112
And as a young artist he showed all the conventionality of the art student just
graduated from years of conceptual teaching in the drawing class . His blue
period is the cliché of a student mind attempting originality merely by style and
achieving ...
And as a young artist he showed all the conventionality of the art student just
graduated from years of conceptual teaching in the drawing class . His blue
period is the cliché of a student mind attempting originality merely by style and
achieving ...
Pagina 290
An Anthology Melvin Miller Rader. unique and apparently useless appetite is
satisfied by them . We may admit the correctness of our direct perceptions that
works of art are great and small , and not merely perfect and imperfect . The
feeling we ...
An Anthology Melvin Miller Rader. unique and apparently useless appetite is
satisfied by them . We may admit the correctness of our direct perceptions that
works of art are great and small , and not merely perfect and imperfect . The
feeling we ...
Pagina 441
But is that really the only end in our existence ; is the world really for us merely a
material to be used and never a material to be enjoyed ; is the object merely a
cause to produce certain effects , never an end in itself ; can our life be complete
in ...
But is that really the only end in our existence ; is the world really for us merely a
material to be used and never a material to be enjoyed ; is the object merely a
cause to produce certain effects , never an end in itself ; can our life be complete
in ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York