A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 18
... mind , and so far it owes to the mind not only its percipi [ being perceived ] as every perceived object does , but its esse [ essence or being ] . We have therefore all the greater need of caution in extending what is true of beauty to ...
... mind , and so far it owes to the mind not only its percipi [ being perceived ] as every perceived object does , but its esse [ essence or being ] . We have therefore all the greater need of caution in extending what is true of beauty to ...
Pagina 27
... mind is not intuitive like the angelic mind : it can perceive , no doubt , but only on con- dition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
... mind is not intuitive like the angelic mind : it can perceive , no doubt , but only on con- dition of abstracting and discoursing . In man only knowledge derived through the senses possesses fully the intuivity necessary for the ...
Pagina 28
... mind likes light and intelligibility . A certain splendor is indeed according to all the Ancients the essential ... Mind impressed upon the heart of the being created . All order and proportion , on the other hand , are the work of the ...
... mind likes light and intelligibility . A certain splendor is indeed according to all the Ancients the essential ... Mind impressed upon the heart of the being created . All order and proportion , on the other hand , are the work of the ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York