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Pagina 19
only as possessed by mind , but whereas in them mind and the external still sit loosely to each other , and in the one case the mind contemplates an external reality which owes to the mind its truth but not its reality , and in the ...
only as possessed by mind , but whereas in them mind and the external still sit loosely to each other , and in the one case the mind contemplates an external reality which owes to the mind its truth but not its reality , and in the ...
Pagina 27
4 Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends .
4 Beauty is essentially the object of intelligence , for what knows in the full meaning of the word is the mind , which alone is open to the infinity of being . The natural site of beauty is the intelligible world : thence it descends .
Pagina 28
proportion , because the mind likes order and likes unity ; lastly and above all brightness or clarity , because the mind likes light and intelligibility . A certain splendor is indeed according to all the Ancients the essential ...
proportion , because the mind likes order and likes unity ; lastly and above all brightness or clarity , because the mind likes light and intelligibility . A certain splendor is indeed according to all the Ancients the essential ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |