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Pagina 25
Moral values , which are mainly negative and extrinsic , must also be distinguished from esthetic values , which are positive and intrinsic . Next Santayana contrasts esthetic and physical pleasures : the former give us the illusion of ...
Moral values , which are mainly negative and extrinsic , must also be distinguished from esthetic values , which are positive and intrinsic . Next Santayana contrasts esthetic and physical pleasures : the former give us the illusion of ...
Pagina 39
Esthetic and moral judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is ...
Esthetic and moral judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is ...
Pagina 91
And since it is not the result of an act of will , so it escapes all moral discrimination , not because a privilege of exemption is accorded to it , but simply because moral discrimination cannot be applied to art .
And since it is not the result of an act of will , so it escapes all moral discrimination , not because a privilege of exemption is accorded to it , but simply because moral discrimination cannot be applied to art .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York