A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 40
... moral attitude . And , correspond- ingly , the pleasant is never , as we have seen , the object of a truly moral injunction . Work and Play We have here , then , an important element of the distinction between esthetic and moral values ...
... moral attitude . And , correspond- ingly , the pleasant is never , as we have seen , the object of a truly moral injunction . Work and Play We have here , then , an important element of the distinction between esthetic and moral values ...
Pagina 49
... Moral values are generally negative , and always remote . Morality has to do with the avoidance of evil and the pursuit of good : esthetics only with enjoyment . Finally , the pleasures of sense are distinguished from the perception of ...
... Moral values are generally negative , and always remote . Morality has to do with the avoidance of evil and the pursuit of good : esthetics only with enjoyment . Finally , the pleasures of sense are distinguished from the perception of ...
Pagina 124
... moral order of things , " or the teaching of the " uselessness of existence , ” or the incitement to " resignation " ( or also half - medicinal and half - moral outpourings , à la Aristotle ) . Finally , the art of terrible natures ...
... moral order of things , " or the teaching of the " uselessness of existence , ” or the incitement to " resignation " ( or also half - medicinal and half - moral outpourings , à la Aristotle ) . Finally , the art of terrible natures ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York