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Pagina 25
Moral values , which are mainly negative and extrinsic , must also be distinguished from esthetic values , which are positive and intrinsic . Next Santayana contrasts esthetic and physical pleasures : the former give us the illusion of ...
Moral values , which are mainly negative and extrinsic , must also be distinguished from esthetic values , which are positive and intrinsic . Next Santayana contrasts esthetic and physical pleasures : the former give us the illusion of ...
Pagina 39
Esthetic and moral judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is ...
Esthetic and moral judgments are accordingly to be classed together in contrast to judgments intellectual ; they are both judgments of value , while intellectual judgments are judgments of fact . If the latter have any value , it is ...
Pagina 91
And since it is not the result of an act of will , so it escapes all moral discrimination , not because a privilege of exemption is accorded to it , but simply because moral discrimination cannot be applied to art .
And since it is not the result of an act of will , so it escapes all moral discrimination , not because a privilege of exemption is accorded to it , but simply because moral discrimination cannot be applied to art .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York