A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 137
... moving a modern reader or playgoer no less powerfully than it moved the contemporary Greeks , the only possible ex- planation is that the effect of the Greek tragedy does not depend upon the con- flict between fate and human will , but ...
... moving a modern reader or playgoer no less powerfully than it moved the contemporary Greeks , the only possible ex- planation is that the effect of the Greek tragedy does not depend upon the con- flict between fate and human will , but ...
Pagina 318
... move about in our imaginations , ' forms more real than living man , ' and are worth much to us though we do not remember anything they said . Our ideas and images of the ' substance ' of a poem have this poetic value , and more , if ...
... move about in our imaginations , ' forms more real than living man , ' and are worth much to us though we do not remember anything they said . Our ideas and images of the ' substance ' of a poem have this poetic value , and more , if ...
Pagina 463
... move- ments of a given culture . These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods ...
... move- ments of a given culture . These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York