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Pagina 17
It would be cognitive illusion if we thought the figures to be really moving . ... to be
what it represents , to have the significance appropriate to it ; for the painted
animal or tree to seem alive and to grow or move according to its kind ; for the
drawn ...
It would be cognitive illusion if we thought the figures to be really moving . ... to be
what it represents , to have the significance appropriate to it ; for the painted
animal or tree to seem alive and to grow or move according to its kind ; for the
drawn ...
Pagina 184
The real work of an artist is to build up an experience that is coherent in
perception while moving with constant change in its development . When an
author puts on paper ideas that are already clearly conceived and consistently
ordered , the ...
The real work of an artist is to build up an experience that is coherent in
perception while moving with constant change in its development . When an
author puts on paper ideas that are already clearly conceived and consistently
ordered , the ...
Pagina 318
It resembles our recollections of the heroes of history or legend , who move about
in our imaginations , ' forms more real than living man , ' and are worth much to us
though we do not remember anything they said . Our ideas and images of the ...
It resembles our recollections of the heroes of history or legend , who move about
in our imaginations , ' forms more real than living man , ' and are worth much to us
though we do not remember anything they said . Our ideas and images of the ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |