A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 378
... movement the more involuntary will be the imitation . Conversely , the more involuntary the action is , the more is the observer wholly in the seen movement . But now , when I am completely en- grossed by the contemplation of the movement ...
... movement the more involuntary will be the imitation . Conversely , the more involuntary the action is , the more is the observer wholly in the seen movement . But now , when I am completely en- grossed by the contemplation of the movement ...
Pagina 379
... movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any other movement but the ...
... movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any other movement but the ...
Pagina 380
... movement certainly does not consist in having a visual image of the movement , but consists in the experiencing of kinesthetic sensations , such as the sensations of muscle tension , friction of joints and so forth , as they occur in ...
... movement certainly does not consist in having a visual image of the movement , but consists in the experiencing of kinesthetic sensations , such as the sensations of muscle tension , friction of joints and so forth , as they occur in ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York