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Pagina 378
Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . ... The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation .
Or more generally , I see a person perform some kind of vigorous , nimble , free , or bold movements . ... The more I am absorbed in the contemplation of the seen movement the more involuntary will be the imitation .
Pagina 379
I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any ...
I feel active in the movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; because under the assumed conditions there cannot be any ...
Pagina 380
Both my situation and attitude prevent any bodily movements . ... At this point one may remark : The realization of a striving directed towards a bodily movement certainly does not consist in having a visual image of the movement ...
Both my situation and attitude prevent any bodily movements . ... At this point one may remark : The realization of a striving directed towards a bodily movement certainly does not consist in having a visual image of the movement ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |