Dall'interno del libro
Risultati 1-3 di 68
Pagina 174
The experience , like that of watching a storm reach its height and gradually subside , is one of continuous movement of subject - matters . Like the ocean in the storm , there are a series of waves ; suggestions reaching out and being ...
The experience , like that of watching a storm reach its height and gradually subside , is one of continuous movement of subject - matters . Like the ocean in the storm , there are a series of waves ; suggestions reaching out and being ...
Pagina 369
Thus in Herder we find the arresting sentence , “ the beauty of a line is movement , and the beauty of movement expression , ” which suggests that outward forms must be given a dynamic content derived from the activity of the mind .
Thus in Herder we find the arresting sentence , “ the beauty of a line is movement , and the beauty of movement expression , ” which suggests that outward forms must be given a dynamic content derived from the activity of the mind .
Pagina 380
Both my situation and attitude prevent any bodily movements . ... At this point one may remark : The realization of a striving directed towards a bodily movement certainly does not consist in having a visual image of the movement ...
Both my situation and attitude prevent any bodily movements . ... At this point one may remark : The realization of a striving directed towards a bodily movement certainly does not consist in having a visual image of the movement ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York