A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 70
Pagina 378
... movement the more involuntary will be the imitation . Conversely , the more involuntary the action is , the more is the observer wholly in the seen movement . But now , when I am completely en- grossed by the contemplation of the movement ...
... movement the more involuntary will be the imitation . Conversely , the more involuntary the action is , the more is the observer wholly in the seen movement . But now , when I am completely en- grossed by the contemplation of the movement ...
Pagina 379
... movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; be- cause under the assumed conditions there cannot be any other movement but ...
... movement or in the moving figure , and through projecting myself into it I feel myself striving and performing this same movement . There is no other way ; be- cause under the assumed conditions there cannot be any other movement but ...
Pagina 380
... movement certainly does not consist in having a visual image of the movement , but consists in the experiencing of kinesthetic sensations , such as the sensations of muscle tension , friction of joints and so forth , as they occur in ...
... movement certainly does not consist in having a visual image of the movement , but consists in the experiencing of kinesthetic sensations , such as the sensations of muscle tension , friction of joints and so forth , as they occur in ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York